With Riley Knapp

Also credited as RKCB

Mastering engineer on a long run of Scoobert Doobert records and on Luke Walton mix-client releases, including Applied Communications, J MESA, Tommaso Veronesi, and selected FEiN singles. Records as RKCB with Casey Barth. USC Thornton classmate in Mora Mora. Two Love Music More episodes in December 2023.

Riley Knapp is the mastering engineer named on the Scoobert song credits for Little Hug, Big Hug, KŌAN, Moonlight Beach, MÖB, and I. The album pages for Moonlight Beach, MÖB, and I say the same. The I liner notes list him as mastering engineer. On December 5, 2023, the Love Music More episode Release and You Shall Receive says he has mastered Luke’s music for over a decade.

FEiN’s Little Homes and most later FEiN singles are Frank Rosato at Woodcliff. The FEiN credits that name Riley are Culling and 800,000 (2019, mixed by Cary Singer), Bodies (October 2021, Discogs: Cary Singer mix, Riley Knapp master), and Liminal (mixed by Cary Singer). The KCRW 360° sessions for Liminal and Stupid Forever credit the session audio to Riley. Rise (Tamtam) names Frank Rosato on the mix and Riley on the master.

USC Today (March 10, 2016) puts him in Mora Mora with Matias Mora, Leland Cox, Cary Singer, and Nick Campbell, the 2013 popular-music class. His SoundBetter profile calls RKCB his artist project with Casey Barth and lists Discogs-verified credits that include Scoobert Doobert, FEiN, and Applied Communications. Brandon Woodward was RKCB’s touring drummer. A week after the RKCB episode, AI and Mastering, or Human vs. LANDR (December 12, 2023) is the Stemport conversation: Riley co-founded that stem-organization software.

See also: Press & credits · Catalog