With Max Horwich Complete

Multimedia designer and creative technologist, visual collaborator on Scoobert Doobert’s immersive releases and Love Music More. Authored the Critical Meme Reader chapter on the Masks and Monsters era; built 360° spatial-audio videos on KŌAN, directed Live from the Void in Unity, and animated the 2024 LMM video series.

Horwich is a [multimedia designer and creative technologist](https://maxhorwich.com/), not a discography co-writer. The strongest third-party artifact on Scoobert is his [**Masks, Monsters, and Memes**](/publications/masks-monsters-and-memes/) chapter in the Institute of Network Cultures' *Critical Meme Reader* (2021, pp. 78–88): memetic production, persona vs. person, and the [*Masks and Monsters*](/albums/masks-and-monsters/) era in academic frame.

The visual lane runs through KŌAN and Live from the Void. Horwich led **creative direction + animation** on two **360° music videos with spatial audio**: [*a song to quit your job to*](https://www.youtube.com/watch?v=YIHcBx5EkEI) and [*Wouldn't It Be Nice*](https://www.youtube.com/watch?v=cAVzu5PS-F8), then **creative direction + animation + editing** on [**Live from the Void**](https://www.youtube.com/watch?v=qWF1jZqKMrY): the Unity-engine virtual concert and its [Creature Comfort MV](https://www.youtube.com/watch?v=fOM9s5-ZnXA). Tools across the thread: Premiere, After Effects, Unity.

On Love Music More he returns as **animation + art direction + 3D modeling** for the **2024 animated video series** ([maxhorwich.com](https://maxhorwich.com/)), plus two solo episodes on the VR/metaverse and Unity MV build ([Live from the Void pt. 1](/love-music-more/episodes/virtual-reality-vr-and-the-metaverse-with-max-horwich-live-from-the-void-pt-1/), [pt. 2](/love-music-more/episodes/making-music-videos-on-unity-engine-with-max-horwich-live-from-the-void-pt-2/)).

See also: Press & credits · Catalog