Luke F. Walton Love Music More Episodes Some Kind Of Voltage with Rob Maile (AEA Microphones)

Some Kind Of Voltage with Rob Maile (AEA Microphones)

Love Music More · hosted by Luke F. Walton (Scoobert Doobert)

Guest: Rob Maile

Jump to section
  1. Watch
  2. Listen
  3. Topics discussed
  4. Host note
  5. Selected moments
  6. Selected excerpts
  7. FAQ

Watch

Listen

Topics discussed

  • Microphones
  • Analog
  • Music production
  • Electronic music
  • Genre
  • Music theory
  • Microphone technology at AEA
  • Creating unique sounds with vintage gear
  • Navigating a music career
  • Fusing electronic and acoustic elements
  • The emotional resonance of music

Host note

Rob Maile builds microphones at AEA Microphones in Los Angeles by day and produces and engineers records with a classically trained ear and a DIY spirit. He forged most of what he knows from people and from connecting, not from a single linear path: and that self-directed formation shapes how he thinks about gear and capturing sound.

We get into the physics first: microphones are transducers, they translate sound into electricity, and dynamic mics and speakers are built from the same components (coil and magnet), which means you can use a speaker as a microphone if you know what you’re doing. Rob walks through ribbon microphones, why analog low-end is an underexplored area of recording, and the kind of non-traditional experiments that produce interesting results when you stop treating the signal chain as fixed.

We also talk about the Pultec — "almost an instrument on its own", the intersection of professional gear and DIY thinking, and what it means that music is one of the things that makes us continue existing: the stories that hold people together, especially when everything else is uncertain.

Selected moments

  • Rob introduces his role in the industry 1:56 Rob shares his background as a producer-engineer and his work with AEA Microphones.
  • Understanding dynamic and ribbon microphones 3:18 A deep dive into the mechanics of different microphone types and their uses.
  • Connecting microphones with speakers 4:47 Rob discusses the relationship between microphones and speakers and creative DIY solutions.
  • Non-traditional recording techniques 8:51 Rob shares insights on unconventional techniques in capturing low-end sound.
  • Combining instruments with unique miking techniques 15:42 Rob reflects on the process of integrating various instruments during recording.
  • The intersection of professional and DIY gear 21:13 Discussion on how professional recording gear influences his creative decisions.
  • Exploring the emotional dimension of recording 43:55 Rob articulates how music serves as a unifying force in society.

Selected excerpts

So I'm a producer-engineer located in the Los Angeles area. I went to Musicians Institute in Hollywood.

~2:05 in the full interview

Microphones are a type of transducer, which is an electrical device that translates sound into electricity.

~3:17 in the full interview

Dynamic mics are made of a coil and a magnet... speakers use the same components.

~5:09 in the full interview

I've found some interesting, cool results doing that, just experimenting. Non-traditional low-end is an underexplored part of music recording.

~8:34 in the full interview

I kind of had to forge it for myself... most of my knowledge that I obtained... I got from people and from connecting.

~15:28 in the full interview

The Poltec is such a musical piece of gear. It's almost an instrument on its own.

~24:01 in the full interview

Music has always been one of those things during the pandemic... that's what makes us continue existing is things that tell our stories.

~43:57 in the full interview

FAQ

What is Rob Maile's role at AEA Microphones?

Rob Maile is a producer-engineer who builds microphones at AEA Microphones in Los Angeles.

How can I create unique sounds in music production?

Explore non-traditional recording techniques and utilize vintage gear to capture distinct sounds.

What are the differences between dynamic and ribbon microphones?

Dynamic microphones use a coil and magnet, whereas ribbon microphones use a thin strip of metal suspended between magnets.

Curated notes only — no public transcript. Listen on the links above.

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