Luke F. Walton Love Music More Episodes My Mixing Workflow (How to structure creativity)

My Mixing Workflow (How to structure creativity)

Love Music More · hosted by Luke F. Walton (Scoobert Doobert) · Solo episode

Jump to section
  1. Listen
  2. Topics discussed
  3. Host note
  4. Selected moments
  5. Selected excerpts
  6. FAQ

Listen

Topics discussed

  • Creativity
  • Mixing
  • Music production
  • Spatial audio
  • Creative Structure
  • Organizational Techniques
  • Best Practices
  • Creative Flow
  • Dolby Atmos
  • Color Coding
  • Sound Design

Host note

Creativity thrives in mess; mixing requires order, the trick is applying the order only where it helps. My workflow starts with cleaning: organizing tracks, naming them, removing cognitive noise before the creative phase starts. Then I go instinctive.

The key frame is maid first, musician second: handle the housekeeping so that by the time I'm making a sonic decision, I'm not also thinking about track routing. I also get into how Dolby Atmos sessions add a new layer of this problem, and why the whole point is to stop reading the owner's manual.

Selected moments

  • Introduction to Workflow 0:01 Introducing the topic of workflow in music mixing and how to balance creativity with a structured approach.
  • Mixing Process Explained 2:17 Elaborating on what mixing entails, likening it to baking a cake with different ingredients.
  • Chaos and Order in Mixing 5:15 Discussing the necessary chaos in production and how it transitions into the structured approach needed for mixing.
  • Organizing Tracks 4:32 The importance of organizing tracks in a mixing session to create better sound cohesion.
  • The Role of Instruments 6:45 How different instruments contribute to the overall mix and the concept of 'glue' in mixing.
  • Adapting to New Technologies 12:01 Challenges and opportunities presented by new mixing technologies like Dolby Atmos.

Selected excerpts

What is workflow? How do you get faster? How do you get better at mixing? How do you streamline things?

~1:27 in the full interview

There's something that we can take from that corporate kind of thing and bring it into music. But there is a line. There's a place where it goes too far and then things start getting sterile or repetitive.

~1:30 in the full interview

So I take the foundational elements. I organize them first, and I clean everything. I go through it and I am the maid.

~4:33 in the full interview

I think when you produce too sterile, it doesn't work for me. It makes the whole thing too procedural.

~5:13 in the full interview

Mixing without the bass changes the way that everything else sounds, mixing without the drums changes the way everything else sounds.

~4:26 in the full interview

The goal is then I have to think about them anymore so you can actually make some damn music instead of like thinking like I'm reading an owner's manual.

~12:46 in the full interview

FAQ

What is my mixing workflow?

I describe a balanced mixing workflow that combines creativity and structure, focusing on organization, cleaning, and track relationships.

How do I approach creativity in music mixing?

I emphasize the importance of maintaining chaos and fun in the creative process while also applying structured techniques during the mixing phase.

Curated notes only — no public transcript. Listen on the links above.

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