Luke F. Walton Love Music More Episodes Genre Isn't Real — or Is It?

Genre Isn't Real — or Is It?

Love Music More · hosted by Luke F. Walton (Scoobert Doobert) · Solo episode

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  1. Listen
  2. Topics discussed
  3. Host note
  4. Selected moments
  5. Selected excerpts
  6. FAQ

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Topics discussed

  • Genre
  • Music classification
  • Artist identity
  • The evolution of rock
  • Dance and music
  • Marketing and branding
  • Audience interaction
  • Emotional impact of music

Host note

In this thought-provoking solo episode, I dive deep into the complexities of musical genres and their impact on artists and audiences alike. Drawing from his recent experience at a Cro-Mags show, I explore how genre classifications can both guide and limit creative expression. By the end of the episode, Expect to ponder the role of classification in music, how it shapes our listening experiences, and whether or not it's time to redefine our approach to genre altogether. This episode invites you to open your mind and embrace a more fluid understanding of music's potential.

Selected moments

  • Introduction to genre discussions 1:03 I kick off the episode by sharing his thoughts on genre and musical classifications.
  • Rethinking rock music 2:19 Discussing the fuzzy boundaries of rock and how classifications affect musical history.
  • Harley Flanagan's concert moment 3:02 A pivotal moment from the Cro-Mags concert illustrates the fluidity of artist identity.
  • Genre as branding 3:50 I share my central thesis that genre serves as a branding tool for artists.
  • The state of modern music 5:17 Explores the idea that while people claim genre is dead, it is actually evolving.
  • Challenges of genre blending 8:18 I discuss the risks artists face in straying from established genres.
  • Dance as a universal element 9:50 Emphasizing that all music can evoke movement and engagement.
  • Conclusion on genre limitations 14:16 I wrap up with reflections on the importance and limitations of musical classifications.

Selected excerpts

There's always been crossover. There's a difference though in the modern era where you have a lot of different playlists, but fundamentally there are some playlists that are way more powerful than others.

~6:01 in the full interview

Because like Harley is a really good example of he crushed that... he crushed the Ramones style song, it sounded awesome. I want more of it. It's kind of the music that's in his soul now.

~6:46 in the full interview

And all music is dance music every bit of it because... that was dance too. And when I saw Cro-Mags, that was dance.

~9:55 in the full interview

If you think of genre as the way it makes you move, then you can think of all of this different stuff. And as an artist, that's your canvas.

~10:33 in the full interview

Classification is important. It is its own sort of inspiration, but it cuts both ways.

~14:19 in the full interview

FAQ

How does genre affect musical expression?

Genre can both guide and limit how artists create music, shaping their identity and brand.

Is genre classification still relevant?

While some say genre is dead, it is actually evolving, and remains influential in the industry.

What can we learn from live concerts about genre?

Live performances often illustrate the fluidity of artists' identities beyond their labeled genres.

Curated notes only — no public transcript. Listen on the links above.

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